Tiruchirapalli Krishnaswamy Ramamoorthy (Tamil: திருச்சிராப்பள்ளி கிருஷ்ணசுவாமி இராமமூர்த்தி; 15 May 1922 – 17 April 2013), known as T. K. Ramamoorthy (Tamil: டி. கே. ராமமூர்த்தி), was a South Indian Tamil music composer and violinist.
Ramamoorthy was known as Mellisai Mannar (Tamil: மெல்லிசை மன்னர்; "The King of Light Music"), along with M. S. Viswanathan. His major works are in Tamil, Malayalam and Telugu films. He and M. S. Viswanathan, as the duo Viswanathan–Ramamoorthy, composed musical scores for over 100 films in the South Indian film industry during the 1950s and 1960s. The duo parted amicably in 1965, but eventually rejoined in 1995 after 29 years for Engirundho Vanthan.
Early life[edit]
Tiruchirapalli Krishnaswamy Ramamoorthy was born in Tiruchirapalli into a family that was musically inclined. Both his father, Krishnaswamy Pillai, and grandfather, Malaikottai Govindasamy Pillai, were well known violinists in Tiruchirapalli. Ramamoorthy gave several stage performances along with his father in his childhood. When he was fourteen, C. R. Subburaman noted the young boy's talent and hired him as a violinist for HMV.
Career
In 1940s, Ramamoorthy worked in Saraswathi stores where AVM Studo's boss, Avichi Meiyappa Chettiar, was a partner in the shop. This led him to play violin for AVM's music composer, R. Sudarsanam, in some films. During these days, he also became friends with P.S. Diwakar, the pianist and music composer in the Malayala films. By late 1940s, C. R. Subburaman, who was a rising star in the South Indian film music world, used Ramamoorthy as one of his violinists in his musical troupe. There, he met violinist and composer T. G. Lingappa, as well as M. S. Viswanathan in 1950, with whom he became a partner in later years.
Viswanathan–Ramamoorthy partnership
Main article: Viswanathan–Ramamoorthy
In 1952, C. R. Subburaman died unexpectedly, which led to Ramamoorthy and Viswanathan joining together to complete the background music for the films Subburaman was working on. They were introduced by N. S. Krishnan, who knew them both fairly intimately and also their respective talents by then.
T. K. Ramamoorthy, despite being an excellent musician with an orthodox carnatic musical background, was a shy, modest and reserved person whereas M. S. Viswanathan was naturally talented, charming, forward and dynamic even if he lacked the similar background in Carnatic music. Ramamoorthy was older than Viswanathan by six years, but the placing of their names in Viswanathan-Ramamoorthy team was agreed upon by both parties on the advice of Krishnan, who thereafter got the duo their first chance to score Krishnan's 1953 film, Panam.
The duo composed for over 100 films during the 50s and 60s, revitalising Chennai film music. The duo parted in 1965 and since then, they had composed for films individually. Although M.S. Viswanathan enjoyed a successful solo career, with over 1200 films from 1965–2013, Ramamoorthy composed for only 19 films from 1966–1986.
He was awarded an honorary doctorate, along with M.S. Viswanathan, by the Sathyabama Deemed University in September 2006.[2]
In addition, J.Jayalalithaa being the Chief Minister of Tamil Nadu, conferred the Thirai Isai Chakravarthy (Tamil: திரை இசை சக்ரவர்த்தி; "Emperors of the Cine Music") title in August 2012[3] and presented it to him, along with 60 gold coins and a new car.[4][5]
Death
Ramamoorthy died in a hospital in Chennai following a brief illness on 17 April 2013. He was 91.[1]
Filmography
| Year | Film | Director | Studio |
|---|---|---|---|
| 1966 | Sadhu Mirandaal | A. Bhim Singh | Sunbeam Productions |
| 1966 | Thenmazhai | Muktha Srinivasan | Muktha Films |
| 1966 | Madras To Pondicherry | Thirumalai-Mahalingam | Sunbeam Productions |
| 1966 | Marakka Mudiyuma | Murasoli Maran | Mekala Pictures |
| 1966 | Alayam | Thirumalai-Mahalingam | Sunbeam Productions |
| 1967 | Enggalukkum Kalam Varum | A. Vincent | Pauls & Company |
| 1967 | Pattatthu Rani | S. Ramanathan | Sunbeam Productions |
| 1967 | Naan | T. R. Ramanna | Vinayaka Pictures |
| 1968 | Moondrezhutthu | T. R. Ramanna | Vinayaka Pictures |
| 1968 | Soaappu Seeppu Kannadi | Thirumalai-Mahalingam | Karthekeya Films |
| 1968 | Neelagiri Express | Thirumalai-Mahalingam | ALS Productions |
| 1969 | Thanga Surangam | T. R. Ramanna | EVR Pictures |
| 1970 | Kathal Jothi | Thirumalai-Mahalingam | Mani Malar Films |
| 1970 | Sangamam | Dada Mirasi | Chaira Films |
| 1972 | Sakthi Leelai | T. R. Ramanna | Raman Pictures |
| 1973 | Praarthanai | Kaushikan | Chitra Lok |
| 1975 | Avalukku Ayiram Kangal | T. R. Ramanna | AB Creation |
| 1982 | Ragam Thedum Pallavi | Vijaya T. Rajendar | Raja Cine Arts |
| 1984 | Antha 16 June | A. Shanmugam | Bama Creations |
| 1986 | Ival Oru Pournami |
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